(Dr. Nour Al-Huda Qorbaz)..Doctorate in Arabic Narratives at Mohamed Kheidar University in Biskra

 

Writer and critic a professor:

Mohamed Khaydar Biskra – Algeria

 

Who is she to the reader, follower, and intellectual, and how do we get to know her?

Dr. Nour Al-Huda Qorbaz

Master's.....

doctor ......

Member of the Technical Committee of the Modern Literary Renaissance

Cultural Ambassador at the Abukni Academy of Popular Culture, Republic of Uruguay

Associate member of the Academy of Modern Latin Literature, Acapulco, Mexico

Two critical studies were published on the collected Arab Diwan on Rabiet Al-Buh

And the poetry collection The Sun Does Not Roam Twice by the Egyptian poet Muhammad Abdel Aziz Shamis

And a global participation with the Inner Child Press Foundation with the contemporary anthology Messages for the Dead

 

How do we search for humanity in this chaos? Do adversity produce healthy literature?

This literature expressed the individual and his place in this world; it talked about the writer’s struggle against the forces that try to harm his people and his country, crush a personality, isolate him, and strip him of his identity...the obliteration of identity, the taking of the land, displacement, the forcing of a certain way of life. Therefore, we must not forget that Literature is now a form of resistance on a broader level with the development of life and the emergence of greater capabilities such as artificial intelligence, which, although positive, reduces effort and 

 

Does literature today live and breathe a healthy atmosphere and participate in major humanitarian issues that concern humans, and is it an influential factor on Earth, in your opinion?

Literature played a wonderful role when people were in danger. The psychological factor and the pain the writer character suffers about what happens to her makes us as readers ask: How did this writer or others make us live in human situations?? Because literature is beauty and, above all, stems from human values. For example, when we read “Najma” by Yacine, which talks about the Algerian revolution in all its symbolism, the author opens his novel with questions about the nature of revolution and pain, but when we delve into the narrative text, we find it moving to different historical, ideological, philosophical and religious dimensions. On the symphony of art and beauty for all sects: communism, Sufism, Marxism

 

There are major challenges facing Arab and international literature. Do you agree with this opinion? If so, how can we face these challenges and work to overcome them?

Throughout its stages, it suffered from collision courses from the closure of the text to its opening Also, the crossing of the genre and the dissolution of the literary genres, it is a new genre that received its techniques and modified its genre path to become a generative text. From the beginning, there was the epic novel, the autobiographical novel, passing through the poetic narrative or narrative poetry, the descriptive language, and the story novel. Despite the rejection of these labels at the beginning, the globalization of texts made them It is inevitable with literary cognitive variables, and this overlap is not the result of coincidence, but rather the result of creation

 

Has culture today become intertwined, that is, the interpenetration of the literary text with the technological medium?

Culture today has become intertwined, that is, the interaction of the literary text with the technological medium. The novel is capable of creating a chemistry of interaction through presentation, reception, and interaction. It has moved from the unilateralism of production to the participation of the recipient and the interaction of the recipient, and from the limitation of reading to the infinity of publication.

 

Does artificial intelligence, despite its positive aspects, threaten humans and humanity, and does it kill creativity, competition, and talent under the guise of development and keeping pace with the modern era?

Artificial intelligence is the killing of creativity and competition. It makes us agree to the machine age and the objectification of man, and with time, nothing will remain of man except his name because we stripped him of his noble feelings and contributed to killing his talent under the guise of development and keeping up with the times. The resistance turns to stopping the advance of the machine and trying to search for man in this chaos, because the resistance It is “a revolutionary reaction for writers and also for literature, and because the ordeal gave us a recovered, mature literature... because chauvinistic literature is what is drummed up in festivals and forums. As for it, it is a literature that condemned its pioneers to darkness and its writers were condemned to remain in the dark, away from the lights, because it is a literature that refuses.” Ready-made templates

 

The Renaissance Literary School is an entity and literary, scientific, cultural and cross-border achievement that works to collect Arab culture and revive it by uniting Arab pens throughout the Arab world on the one hand, and on the other hand, contact with other global cultures, bringing viewpoints closer, and returning to the bright ages. What did it offer you while you were one of its members, and what is it? Her next new thing?

The Renaissance Literary School is a literary entity and a scientific forum that unites the Arabs through which we seek to integrate Arab culture and return Arabic literature to its bright eras by creating a healthy, competitive, balanced, dynamic literature, as well as contact with other global cultures within the framework of the theory of comparative literature and the universality of literature to impose our Arab literature, which was and still is master. The field is not defended, and this is what we found among the ancients, Al-Buhturi, One Thousand and One Nights, etc The Renaissance Literary School is an idea and a literary activity, a non-political entity that is concerned with literature, beauty, and humanity first. It relied on foundations and rules upon which it was based, making it a pioneer in unifying the literary class through the first unified collective work on Rabieh Al-Bouh was followed by Arab and international works. Today, after the school has matured and its founders have matured, and I am proud to have been among them, we seek to put forward more important ideas that I will not mention now because they are within the prerogatives of the school president.

 

What do you think of the term network intellectual?

Does the environment affect the writer? Yes, very much. We all remember the novel “Hidden Bread” by Muhammad Shukri, how it dug our wounds inside him and made him learn to write at an old age so that he could write his biography and reveal his pain and disappointments so that he would be psychologically liberated and purify himself first and so that he would hold his father accountable socially because he was oppressed and could not respond to him. “The environment influences and reflects on the writer’s pen

 

Is the intellectual dead in your opinion?

Unfortunately, yes, because it wears the cultural mask of unemployment As for the negative side We find the appearance of the creator “rejecting any criticism based on the block policy” which makes this text provocative and difficult to confront, because it carries provocative ideas dressed in the guise of controversy, which is spun with threads of challenge and explosion. Social media has made the creative person come out of his silo; criticize, write; write to respond to clarify; and criticize so as not to allow time to escape and interpretation, the trial of the objectification that has afflicted the researcher. He also writes to purify himself of his psychological illnesses, such as alienation No matter how much the creative person fled into self-imposed exile, social media forced him to reveal, because the digital storm disrupted what was prevalent and provoked the creative person to respond. But despite all its positives, its negatives remain many as well - Weakening the Arabic language through the use of foreign vocabulary - The measure of the writer’s quality became expression icons “likes” - The emergence of critics of events and favoritism

 

- Weakening the Arabic language through the use of foreign vocabulary - The measure of the quality of the writer became expression icons “likes” - The emergence of critics of events and favoritism

If so, why?

Contemporary man is a mass of anxiety and disorder. The writer is part of a society suffering from loss. The writer tries to transform deaf vocabulary into dialogue by sitting at the writing table to discover the chaos and make it his pleasure linked to the pen, memory, and emotion. Discovering the lost self affected by what is happening in the world. For example, Yasmina Khadra’s novel.” Al-Mawla’s sheep “focused on the village as a marginalized place that did not receive the spotlight. He saw that the village was the one that was subjected to injustice during the time of distress, and that it and its residents were marginalized. It relied on a realistic approach. He did not mean the personalities, but rather the intellectual who preferred to hide behind these personalities, to protect himself politically and socially. He chose the symbol and watching from afar, unlike the intellectual who expressed his opinions directly, only to find himself under the grip of the executioner, either imprisoned or a fugitive, a refugee in another country. And there is the selfish intellectual who seeks To have the largest number of idols under the names of global and international awards, so we find the writer who believes in his cause rejected it and did not compromise, while the selfish person made himself far away and a spectator, abandoning the pick of thought, so we find the writer breathing in a healthy atmosphere not polluted by politics; his pen is open and free from the authority of pirates of pens and thoughts. As for the writer who suffers from the power of shame, the dictatorship of the pen, and the diminishing authority of the permissible limits, his pen flounders, neither changing the situation nor supporting it. But culture remains the crutch that corrects the distortions of politics and the sweet balm for peoples since the earliest times - Suleiman the Magnificent, Harun Al-Rashid, etc.

 

The globalization of texts has made it inevitable with the literary cognitive variables, as Hanna Mina puts it. I only write what I lived, saw, and suffered. Is the writer a child of his environment? Is the maturity and awareness of the writer a challenge that determines its imposition as a new art?

Does the environment affect the writer? Yes, very much. We all remember the novel “Hidden Bread” by Muhammad Shukri, how it dug our wounds inside him and made him learn to write at an old age so that he could write his biography and reveal his pain and disappointments so that he would be psychologically liberated and purify himself first and so that he would hold his father accountable socially because he was oppressed and could not respond to him. “The environment influences and reflects on the writer’s pen

 

A nation that reads is unbeatable. Are we a nation that reads?

I will answer you with a question that may be an answer to your question. China built its Great Wall for fear of the enemy. Did the enemy enter China through it? No, of course it was always through the guard, because he betrayed his country every time. Therefore, we must build the human being first through knowledge and reading. We A nation reads. But the problem is the quality of the books it reads. That is, the Arab reader needs guidance in the quality of good books because he is intellectually immature. I do not generalize, but there is a type of writer who seeks only fame and the largest number of awards without adopting purposeful topics or developing writing according to the times. Because As the German philosopher Nietzsche says, “The serpent that does not change its skin perishes, and so do humans who do not change their thoughts.” And the Arab writer only mastered turning the pages of disappointment, and proceeded to rely on chauvinism and narcissism, which kills any talent. Most intellectuals today live in a state of alienation and cultural rot that relies on populist criticism, which has led them to engage in a conflict between themselves and themselves. Let the writer come up with a crazy text that does not resemble those who do not know the scale of his wars and the scale of his psychological defeats. It is the most severe type of alienation that Hegel spoke about: “Alienation is a person’s awareness of the gap between the world of truth in which he lives as a nation, and the ideal world to which he aspires with his hopes.” Also, the problem of the Arab writer is that he refuses for anyone to interfere in his text because he believes in the sanctity of what he wrote, and this is the reason for our backwardness in reading and writing, because this is the difference between us and the West.

 

What's new for your readers and followers?

Regarding my works: I have a novel, My Memory, Not Memory, Dreams, Thoughts. The novel is in a narrative structure (character and space-time). All the characteristics of the novel, from references... etc., only differ in size. It is a new shift in the field of writing, and I know that it is the beginning, and it depends on topics that will be full of thorns of criticism and rejection. But its seriousness and aesthetics are what make it impose itself because it is integrated in language and structure

 In the field of criticism, two books

 The book was a compilation of critical articles that I discussed

An international work was published at the beginning of this year in partnership with the Inner Child International Foundation in the United States of America

 

Is there a word you would say to young writers?

Is there a word you would like to address to young writers in the cultural arena?

Reading is awareness, it is liberation and getting rid of dependency, because mature thought creates a healthy, reconciled and leadership human being, and this is what Flaubert summarized with advice to a reader, saying:

“Do not read as children read for pleasure or as optimists read for the purposes of education, but read to save your life.” Tayeb Salih also said in his novel Season of Migration to the North, and his teacher once said to him: “You, Mister Saeed, are the best example that our civilizational mission in Africa is futile. After all, you are The efforts we have made in educating you are as if you were emerging from the forest for the first time. The novel summarized everything. Finally, may you always support the intellectual first, the human being second, and always support literature.

Through writing, we may try to make life more beautiful and buy happiness through imagination and building a special world, starting from the verses of Mahmoud Darwish.

We steal a thread from the silkworm

Let's build a sky for ourselves and fence this departure

And we open the garden door so that the jasmine can come out.

To the roads on a beautiful day..

We love life if we can find a way to it..